Octopus #7 is here — free, and for the people:
Poetry by Sara Smith, Tina Celona, Bill Cassidy, Anna Moschovakis, Timothy Liu, Genya Turovskaya, Anne Boyer, Amanda Nadelberg, Brandon Downing, Julia Cohen, Michael Robins, Bruna Mori, Anthony Hawley, Paul Guest, Day Hoy, Peter Davis, Ken Rumble, Christian Peet, Erica Fiedler, Jim Goar, Alex Smith, Emma Ramey, Jonah Winter, Nathan Parker, Matthea Harvey, Noah Eli Gordon, Sabrina Orah Mark, Lara Glenum, Hank Lazer and Dean Young.
Translations of Daniil Kharms by Eugene Ostashevsky, and Saburo Kuroda by Marianne Tarcov.
Reviews of Pieces of Air in the Epic by Brenda Hillman, Sundays on the Phone by Mark Rudman, Like Wind Loves a Window by Andrea Baker, Natural History by Dan Chiasson, My Kafka Century by Arielle Greenberg, The Thorn by David Larsen, Pretty Young Thing by Danielle Pafunda, Crush by Richard Siken, The Last Clear Narrative by Rachel Zucker, The Book of a Hundred Hands by Cole Swensen, Antidotes for an Alibi by Amy King, Free Again by Joseph Lease, Iowa by Travis Nichols, The Hatmaker’s Wife by Dorothea Lasky, Secret Architecture by Aaron Kunin, and Iterature by Eugene Ostashevsky.
An interview with Brenda Hillman by Jen Tynes.
Recovery Projects of Bad Boats (1977) by Laura Jensen and Idea (1987) by Paul Hoover.
The second volume of Matvei Yankelevich’s essay “The Russians are Coming! The Russians are Coming!: Field Notes on Russian-American Poets”.
Also, be sure to check out the submission guidelines for Octopus’ new print project: Issue #8.
A special thank you to Brandon Shimoda for a few months worth of grueling editorial work, and to the handful of #7’s astute readers: Mathias Svalina, Hadara Bar-Nadav, Adam Clay, Craig Morgan Teicher, and Christopher Deweese.
Zachary Schomburg, editor
Denny Schmickle, design