We are pleased to announce Cutbank Online is now taking Visual Media

Gather and spread the word, ye faithful of the acrylic, ye gelatin silver processors, ye marble chippers and woodcutters, ye stippled ink stained printers of pulp art!

We’re calling all visual media artists to start a new initiative here at Cutbank Online where we’d like to feature your art on our website and beyond!

Click the Image to Find out More


Andrew Martin to judge this year's Big Sky, Small Prose Flash Contest!

We're excited to announce that Andrew Martin will be the guest judge for our Big Sky, Small Prose: Flash Contest! His novel Early Work was just published by Farrar, Straus and Giroux, and his stories have appeared in The Paris Review, Zyzzyva, and Tin House’s Flash Fridays series. His nonfiction has appeared in The New Yorker, The New York Review of Books, and The Washington Post.

Submissions are still open, so get your best short prose into us by September 30 for a chance to win the $500 first place prize and publication in CutBank 90. 

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Early Work

A Novel

by Andrew Martin

“Marvelous . . . Read [Early Work] on a beach for the refreshment of a classic boy-meets-girl plot, or turn the pages more slowly to soak in some truly salty koans and morally insolvent characters . . . It’s an accomplished and delightful book, but there’s no hashtag for that.”
Molly Young, The New York Times

“[Andrew] Martin introduces characters in sharp, funny flash-portraits that declare the book’s intention to perch, vape in hand, on the border of earnestness and satire . . . Early Work is a gift for those readers who like being flirted with by thoughtful and interesting people, and who like observing such people as they flirt with each other.”
Katy Waldman, The New Yorker

“[The] story of a love triangle . . . Martin reinvigorates the form, transposing its chords and riffing on its most familiar melodies.” Max Ross, The Paris Review

“Compulsively readable . . . [Early Work] asks big questions about ambition and success and art and love, but it's also a story of a love affair, delicious and horrible in equal measure.”
Emily Temple, Literary Hub

“Stunning . . . whip-smart and rather disturbing . . . [Andrew] Martin has a remarkable ear for natural dialogue and pitch-perfect, witty banter . . .”
Dana Hansen, Chicago Review of Books

“From a simple boy-meets-girl premise and from the most basic dramatic ingredients—ardor, art, alcohol, anxiety—Andrew Martin has concocted an exceptionally funny and disturbing first novel. I found myself thinking of Goodbye, Columbus and The Mysteries of Pittsburgh—from its title and its opening sentence on, Early Workachieves the feel of a classic debut.”
Chris Bachelder, author of The Throwback Special

 “The people in Andrew Martin’s Early Work have it all—youth, intelligence, ready wit, readier irony, terminally knowing tastes in books and music, affordable rents, abundant abusable substances, prolific sexual lives, even endearing dogs—and it’s perversely exhilarating to watch them, despite their fits of good-heartedness, turn a bucolic bohemia into a hipster hellscape. This is one smart, funny, scary novel.”
David Gates, author of Jernigan and The Wonders of the Invisible World

 “What a debut! Early Work is one of the wittiest, wisest (sometimes silliest, in the best sense), and bravest novels about wrestling with the early stages of life and love, of creative and destructive urges, I’ve read in a while. The angst of the young and reasonably comfortable isn’t always pretty, but Andrew Martin possesses the prose magic to make it hilarious, illuminating, moving.” —Sam Lipsyte, author of The Fun Parts and The Ask

“Beautifully executed and very funny, Early Work is a sharp-eyed, sharp-voiced debut that I didn’t want to put down.” —Julia Pierpont, author of Among the Ten Thousand Things and The Little Book of Feminist Saints

“To ignore Andrew Martin’s Early Work—a wry and pitch-perfect novel about late-twentysomething writers and lazy, progressive creatives in varying stages of existential crises—because of any painful familiarity is to do yourself a disservice.” —Arianna Rebolini, BuzzFeed

Andrew Martin’s stories have appeared in The Paris ReviewZyzzyva, and Tin House’s Flash Fridays series, and his nonfiction has appeared in The New YorkerThe New York Review of BooksThe Washington Post, and other publications. Early Work is his first novel.

Early Work, by Andrew Martin, was published in hardcover by Farrar, Straus and Giroux on July 10, 2018 (ISBN: 978-0-374-14612-2, $26.00). For more information, please contact Lauren Roberts(212-206-5325, lauren.roberts@fsgbooks.com).

Events

7/10 – Harvard Book Store – Cambridge, MA

7/11 – Labyrinth Books – Princeton, NJ

7/12 – McNally Jackson Books (Williamsburg) – Brooklyn, NY

7/14 – Politics and Prose Bookstore – Washington, DC

7/17 – New Dominion Bookshop – Charlottesville, VA

8/21 – Point Street Reading Series – Providence, RI

9/27–30 – Montana Book Festival – Missoula, MT

10/01 – Powell’s City of Books – Portland, OR

10/13 – Boston Book Festival – Boston, MA

10/14 – KGB Bar – New York, NY

Deadline Alert! CutBank contests and regular submissions closing soon!

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Our Montana prizes in fiction and CNF, and the Patricia Goedicke Prize in Poetry are closing the submissions window in 1 day and nine hours from now! Finish up with the red pen, finalize those entries and get them to us before it's too late!

Regular print submissions are winding up, too. Only 2 days and 9 big hours left.

Our submissions calendar is here, with links to all the info you need, and here's our Submittable portal when you're ready to rock.

 Douglas Adams may be awesome, but even he might have said, "Hey. Don't be  this  guy."

Douglas Adams may be awesome, but even he might have said, "Hey. Don't be this guy."

CutBank is the proud sponsor of a variety of contests encouraging (and rewarding) fine writing in all genres, with opportunities including the Montana Prize in Fiction, the Montana Prize in Creative Nonfiction, the Patricia Goedicke Prize in Poetry, the Big Sky, Small Prose Flash Contest, as well as our annual CutBank Chapbook Contest.

We're looking for work that showcases an authentic voice, an original perspective, and a willingness to push against the boundaries of form.

Meet this year's judges:

The Montana Prize in Fiction
Judged by Monica Drake

Meet Monica Drake: "I have an MFA from the University of Arizona and teach at the Pacific Northwest College of Art. My debut Novel, Clown Girl, is published by the amazing indie press, Hawthorne Books, and has won an Eric Hoffer Award as well as an IPPY. It’s been translated into Italian, and recently optioned for film by the brilliant Kristen Wiig (SNL, Bridesmaids). My most recent novel, The Stud Book, is now out (Hogarth Books, April 2013) and doing great." (From monicadrake.com)

The Montana Prize in Creative Nonfiction
Judged by Sarah Gerard

Sarah Gerard is the author of the essay collection Sunshine State, the novel Binary Star, a finalist for the Los Angeles Times first fiction prize, and two chapbooks, most recently BFF. Her short stories, essays, interviews, and criticism have appeared in The New York TimesGranta, The Baffler, ViceBOMB Magazine, and other journals, as well as anthologies. She’s been supported by fellowships and residencies from Yaddo, Tin House, PlatteForum, Ucross, and Pocoapoco. She writes a monthly column for Hazlitt and teaches writing in New York City.

The Patricia Goedicke Prize in Poetry
Judged by Sarah Vap

Sarah Vap, our Fall 2017 Distinguished Hugo Writer, is the author of five books of poetry, most recently Viability (Penguin 2016), which was selected for the National Poetry Series. Her book of hybrid poetics, End of the Sentimental Journey, inaugurated the Infidel Poetics Series with Noemi Press (2013). She is the recipient of a National Endowment of the Arts Fellowship for poetry and has taught at Arizona State University, University of Southern California, and Drew University.

Contest Deadlines Extended!

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Deadlines extended!

The Montana Prizes in fiction and nonfiction, and the Patricia Goedicke Prize for poetry now open until JANUARY 31!

Visit our Submittable page for details, and give that entry another round of polish with the extra time.

Good luck--we're eager to read your work!

CutBank's Annual Chapbook Contest Opens Jan 1!

The submission window is open from Jan 1 to March 31. (And you know deadlines always come sooner than you think.)

 Winner, 2016:  little violences  by  Raven Jackson  Purchase a copy  here.

Winner, 2016: little violences
by Raven Jackson
Purchase a copy here.

What's at stake if you drag your feet too long? Money, for one thing! Our winner receives $1000, high-quality publication of their book, and 25 contributor copies. Runners up enjoy publication and copies, as well, and every entry can look forward to a copy of CutBank 89 upon its release in spring/summer 2018.

You'll find solid info and full details on our Contests page, and while you're at it, visit our winners from last year right here.

 

In a nutshell:

 Here's James D'Agostino, last year's winner with  Weathermanic . Doesn't James look happy? You could be that happy, too!

Here's James D'Agostino, last year's winner with Weathermanic. Doesn't James look happy? You could be that happy, too!

  • We're looking for 25-40 pages of original poetry, fiction or creative nonfiction by a single author. (Translations are not eligible for this award. Sorry.)
  • Previously published stand-alone pieces or excerpts may be included in a manuscript, but the manuscript as a whole must be an unpublished work.
  • Simultaneous submissions are fine!
  • Manuscripts should be cohesive and coherent; in other words, your manuscript should resonate and make sense as a book.

Send us startling, compelling, and beautiful original work. We’re interested in both prose and poetry – and particularly work that straddles the lines between genres, in a fresh, powerful manuscript. Perhaps yours will overtake us quietly, gracefully defy genres, or satisfyingly subvert our expectations. Maybe it will punch us in the mouth page in and page out!

Now that 2017 is gasping for air, hang in there--2018 can be your year!

Follow us on Twitter, Instagram, and Facebook for updates. We'll let you know when the gates are open or the deadline's approaching, so have your most amazing work ready!

CutBank 82 has arrived!

The wait is over - our latest print edition has arrived!

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Great news, friends of CutBank: Our latest print edition has arrived and it's chock-full of work you have come to love and expect from Montana's foremost literary magazine. With selections from some of the best talent from across the country, we are proud to say this one of our best editions yet.

Buy it now or subscribe to receive future editions.

Contents:

Spring is the Time of Plans and Projects Poetry|Kathleen S. Johnston Fire-Adapted Ecosystems Fiction|Michelle Donahue The Story in Which the Imaginary Lover Becomes a Small House and I Wish to be Evenly Lit Poetry|Kallie Falandays Nocturne in Blue and Amber Poetry|Brian Clifton Missing Fiction|Ben Nickol Zac Asks What the Plastic Sheet is For and Zac, That's Not a Rabbit Poetry|Matthew Schnirman The Fat Filly Nonfiction|Wynn Chapman On Kajii Motojiro's (Alleged) Jellyfish Poetry|Kimberly Kemler Vintage Prints Art Maybe Kansas Poetry|Anders Carlson-Wee Boy Scouts Fiction|Sarah Mollie Silberman Little Hymn and Elegy Poetry|Kenneth E. Harrison, Jr. The Entire History Fiction|Kindall Gray The Moon Considers the Body Poetry|Aran Donovan Interpretations of Philip Guston and October, North Hero Poetry|Julia Heney The Truant Life Nonfiction|Ian Stansel Book of Absence, Book of Absence II, Interlude and Book of Worry Poetry|Joanna Doxey